Deliverance (2023) captures a site-responsive artistic interaction in which a soft painting is suspended and set alight within a sculptural steel cage, positioned in an open natural environment. This work forms part of the Cage Series, which draws on Vitruvian geometry to question bodily containment, inherited systems, and the possibility of liberation. In Deliverance, fire acts as both destroyer and transformer — marking a moment of release, ritual, and reclamation. The burning textile evokes sacrifice and renewal, echoing the artist’s deeper inquiry into cycles of wounding and healing. Within this ephemeral gesture, the cage becomes both frame and threshold — a structure holding the tension between confinement and transcendence.